The year 1973 began and ended with cries of pain. It began with Ingmar Bergman’s “Cries and Whispers,” and it closed with William Friedkin’s “The Exorcist.” Both films are about the weather of the human soul, and no two films could be more different. Yet each in its own way forces us to look inside, to experience horror, to confront the reality of human suffering. The Bergman film.
William Friedkin’s 1973 masterpiece, The Exorcist, was a landmark in horror cinema, a cultural phenomenon, and (if adjusting for inflation) the ninth highest-grossing film of all time. The film makes minimal use of music—a stylistic choice which gives the film an air of stark realism despite the supernatural events depicted onscreen.
A visiting actress in Washington, D.C., notices dramatic and dangerous changes in the behavior and physical make-up of her 12-year-old daughter. Meanwhile, a young priest at nearby Georgetown University begins to doubt his faith while dealing with his mother's terminal sickness. And, book-ending the story, a frail, elderly priest recognizes the.
The Exorcist was perhaps the first realistic film in the horror genre. It is a crucial staple of the genre, but it is also so much more. People always talk about the scene where Regan McNeil crawls down the stairs, or when her head turns all the way around. These are iconic moments, but I would say that the most chilling moment is when.
Essay text: The Exorcist This book began in Iraq during an archeological dig. Father Lankester finds a small artifact that has similar traits as the demon named Pazuzu. In Washington D.C., a girl, Regan was possessed by the Pazuzu. That is when her mother getsthe help of Father Damian Karras. He is having problems with his faith.
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